Annie
Leibovitz was born Anna-Lou Leibovitz on October 2, 1949 in Waterbury,
Connecticut. She was one of six children. Her mother, Marilyn Leibovitz, was a
dance instructor, and her father, Sam Leibovitz, was a Lieutenant in the Air
Force. Due to her father’s involvement in the Air Force, the family moved
often. During a posting in the Philippines during the Vietnam War, Leibovitz
became interested in photography. The base where the family was stationed had a
darkroom, which enabled Leibovitz’s interest to develop into a hobby.
Upon graduation from high school in
the late 1960’s, Leibovitz attended college at the San Francisco Art Institute,
where she studied painting. However, while attending the San Francisco Art
Institute, she took a class on photography because of her previous hobby. After
her first photography class, Annie decided to change her major to photography.
During the summer after her sophomore year of college, she left San Francisco
to travel with her mother to Japan, where she purchased her first camera. After
returning from Japan, Leibovitz enrolled in photography night classes,
receiving her first formal training in photography. However, she has said that
in college, she was never taught anything about lighting or color photography.
Her classes focused only on black and white film. After college, in 1970,
Leibovitz briefly lived on an Israeli kibbutz, which is essentially a small
Israeli agricultural community, where she further honed her skills. During her
time living at the kibbutz, she participated in an archaeological dig at the
site of King Solomon’s temple.
When Leibovitz returned to San
Francisco in 1970, she approached the founding editor of then-start-up Rolling Stone magazine, Jann Wenner, and
asked for a position. Wenner was impressed with Leibovitz’s portfolio and gave
Leibovitz a job as a staff photographer, along with her first assignment:
photograph John Lennon. This photograph, a black-and-white portrait of Lennon, became
the cover for the January 12, 1971 issue of Rolling
Stone. Two year later, in 1973, 23-year-old Leibovitz was promoted to the
position of the Rolling Stone’s chief
photographer. The next year, the magazine began printing in color. Since
Leibovitz had not been taught about lighting and color during her years at the
San Francisco Art Institute, she had to teach herself how to work with color.
It is possible that her need to self-teach color photography led to her
signature use of bold, primary colors. Among her subjects from her time at Rolling Stone were Bob Dylan, Bob
Marley, Patti Smith, and other celebrities of the time.
In 1975, Leibovitz decided to go on
tour with the band the Rolling Stones, becoming their official photographer. Rolling Stone magazine editor Jann
Wenner encouraged Leibovitz to skip the trip, concerned that the environment of
traveling with a rock and roll band would lead Leibovtiz to a lifestyle of
partying and drug use, which ended up being a correct prediction. Leibovitz
eventually ended up in rehab for her drug use. However, through touring with
the band, Leibovitz captured iconic black-and-white photos of Keith Richards
and Mick Jagger, in all their 1970’s rock band glory.
By the time Leibovitz left Rolling Stone magazine ten years later,
she had shot 142 covers for the magazine. She was credited with making several Rolling Stone covers collector’s items.
The 1980’s were arguably Leibovitz’s time of best
work. In 1980, Leibovitz shot her best-known photograph. Rolling Stone magazine had sent her to photograph John Lennon and
wife Yoko Ono. The couple had recently released their album entitled “Double
Fantasy” and Rolling Stone wanted a
photo of the duo for their cover. Leibovitz intended to photograph the couple
nude. While Lennon agreed to disrobe, Ono agreed to remove her top, but refused
to remove her pants. Leibovitz was disappointed in the lack of cooperation from
Ono and decided to have Ono leave her clothes on. The resulting portrait shows
Lennon, nude, curled around Ono’s fully clothed body. Just hours later that
day, Lennon was shot dead in front of his apartment in New York City. The
photograph did run as a cover of Rolling
Stone magazine, but not as a promotional cover for the album. Instead, the
magazine devoted the issue as a commemorative issue to John Lennon. The cover
is the most collectible cover in the history of Rolling Stone magazine and in 2005 the photo of Lennon and his wife
was named the best magazine cover from the past 40 years by the American
Society of Magazine Editors.
Her first book, entitled Annie Leibovitz: Photographs, was published in 1983. She also
published several more books in the 1980’s. Also in 1983, she began working for
Vanity Fair magazine as the
magazine’s first contributing photographer. She remains a contributing
photographer today. At Vanity Fair,
Leibovitz became known for her strangely lit, staged, and often-provocative
portraits of celebrities. Most notable among these include a photo of a naked
Whoopi Goldberg submerged in a milk bath, a photo of Demi Moore, naked and
holding her pregnant belly, and a photo of the late artist Keith Haring, who
painted his naked body into one of his canvases for a photo. The cover photo of
Moore was named the second best photo from the past 40 years, right after the
photo of John Lennon and Yoko Ono, by the American Society of Magazine Editors.
Since starting at Vanity Fair, Leibovitz has photographed celebrities such as
Brad Pitt, Mikhail Baryshnikov, Ellen DeGeneres, the George W. Bush cabinet,
Michael Moore, Madeleine Albright, Bill Clinton, Scarlett Johannson, Keira
Knightley, Tom Ford, Nicole Kidman, Suri Cruise, and many, many more.
Annie Leibovitz’s portraits have appeared in
publications such as Vogue, The New York Times Magazine, and The New Yorker. She has also worked on
advertising campaigns for companies such as American Express, the Gap, the Milk
Board’s “Got Milk?” campaign, and Disney. Leibovitz’s work for the American
Express “Membership” campaign earned Leibovitz a Clio Award in 1987. Her
campaign for Disney incorporated several A-list celebrities posing as
characters from popular Disney films. Additionally, she has worked with several
arts organizations, such as the American Ballet Theatre, the Brooklyn Academy
of Music, and the Mark Morris Dance Group.
Leibovitz’s style of photography is fairly easy to
identify because it is very different from other photographers’. In her
portrait photography, Leibovitz attempts to emphasize and aspect of each
subject’s public persona. She generally incorporates the entire body of the
subject in her photos, often while the subject is in the midst of some sort of
physical action. This effect is achieved without looking fake and often gives
the photo a feeling of outrageousness, effectively setting her apart from
photographers who take less dramatic, more boring approaches to their
photography. Another trademark technique of Leibovitz’s is the use of bold
primary colors and bizarre, surprising poses.
Leibovitz has had exhibitions throughout the United
States and Europe, including at the National Portrait Gallery and the Corcoran
Gallery in Washington, D.C., the International Center of Photography in New
York, the Brooklyn Museum, the Stedelijk Museum in Amsterdam, the Centre
National de la Photographie in Paris, and the National Portrait Gallery in
London. She was honored with a retrospective by the National Portrait Gallery
in Washington, D.C. in 1991. This retrospective toured the United States,
Europe, and Asia. She has received many awards in her years of work, including
the American Society of Magazine Photographers Photographer of the Year Award
in 1984, the American Society of Magazine Photographers Innovation in
Photography Award in 1987, the Clio Award and the Campaign of the Decade Award
from Advertising Age magazine in 1987, and the Infinity Award for applied
photography from the International Center for Photography in 1990. The Library
of Congress has designated Annie Leibovitz a Living Legend. She was also
decorated a Commander in the Ordre des Arts et des Lettres (Order of Arts and
of Letters) by the French government, as recognition of her significant
contribution to the arts. These awards make it obvious that Annie Leibovitz is
one of the most important and significant portrait photographers of our time.
There is a lot to be learned from someone as accomplished
as Annie Leibovitz. Among the most important things I have learned from
studying her is to think outside the box. Through her bizarre, often
controversial photographs, she inspires amateur photographers to do things
differently and set themselves apart.
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